Andreja Kulunčić's art practice is characterised by the exploration of new models of social and communication relations, as well as an interest in socially involved topics. Kulunčić makes her own interdisciplinary networks, perceiving art as an investigation, a process of collaboration and self-organisation. She launches collaborative and collective projects, confronting with diverse audience, whose active participation she often pleads for in order to "complete" her works. Some of Andreja Kulunčić's frequent subjects are correlations between economy, transition, feminism and racism.
Her work has been presented at international exhibitions, including: Documenta 11 (Kassel), Manifesta 4 (Frankfurt/Main), 8. Istanbul Biennial (Istanbul), Liverpool Biennial04 (Liverpool), 3. Tirana biennial (Tirana), 10. Triennial-India (New Delhi) among others. At collective shows in museums, including: Whitney Museum of American Art (New York), PS1 (New York), Walker Art Centre (Minneapolis), Museum MUAC (Mexico City), Palais de Tokyo (Paris), Garage Museum (Moskva), Kumu Art Museum (Tallin), Museum of Contemporary Art (Zagreb), Museum of Contemporary Art (Ljubljana), Zacheta National Gallery of Art (Warshaw), Museum of Modern and Contemporary Art (Rijeka), Lentos kunstmuseum (Linz), Museum of Modern Art (Saint-Etienne), Ludwig Museum (Budapest).